Gerry Hadden

Gerry Hadden

Gerry Hadden reports for The World from Europe. Based in Spain, Hadden's assignments have sent him to the northernmost village in Norway to the southern tip of Italy, and just about everywhere else in between.

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‘Monkey Boy’ Jesus Fresco Draws Global Attention and Tourists

Tourists pose for a photo with the Sanctuary's star, Ecce Homo. (Photo: Gerry Hadden)

Tourists pose for a photo with the Sanctuary's star, Ecce Homo. (Photo: Gerry Hadden)

About the only thing the original fresco shares with Cecilia Jimenez’s touch-up is the wall it is painted on. The work, called Ecce Homo, or Behold the Man in English, is now referred to as the Monkey Boy of Borja. At first church officials and townsfolks were horrified.

Not anymore.

In the Sanctuary of Mercy Church on a recent weekday morning, the place was packed with tourists. They glanced around at the baroque alter, some of the statues. All out of politeness. But soon enough they drifted over to the real draw.

Behold, the Monkey.

After a quick peek, visiting tourists Miguel Angel and Charo Martin headed back outside to reflect.

“We just came up here because of the stories that have been on all the TV shows,” Angel said. “We were curious.”

“It’s what tourists do,” Martin said. “We go to see the silliest things on offer, and this is one of them!”

Silly. Silly, perhaps. But now, also, and to everyone’s surprise, a money maker.

In the entrance to the sanctuary, custodian Jose Maria Aznar, tended the till, charging one euro to get in, and 12 euros for a lottery ticket bearing the image of the defaced fresco. Entry used to be free. Aznar said he is not used to handling so much cash, and messes up people’s change all the time.

“Usually in mid October we get about 20 visitors a day during the week,” Aznar said. “Now, its 150. And on the weekends, we’re getting up to 1500 visitors. Everyone is really happy with what’s going on.”

Left: A deteriorated version of the original (left) of “ecce homo” fresco of Jesus by Elías Garcia Martínez, a 19th-century painter. Right: The "restored" version of the fresco. (Photos: BBC)

Left: A deteriorated version of the original (left) of “ecce homo” fresco of Jesus by Elías Garcia Martínez, a 19th-century painter. Right: The "restored" version of the fresco. (Photos: BBC) | Click to enlarge.

The money, Aznar said, is being used to maintain the sanctuary, and to support an old folks home. But the money flow doesn’t end here. Borja’s hotels have all been booked solid this fall. That’s a first.

And so are the bars.

“If it weren’t for the fresco, you yourself wouldn’t be here with your microphone,” said Antonio Romano, who owns an eatery just in front of the sanctuary. “Draw your own conclusions.”

The knock-on actually reaches far beyond Spain. In the UK, the low-cost airline RyanAir has jumped on the buzz, offering dirt cheap flights to nearby Saragossa. In the US someone has come up with a Monkey Boy Halloween costume, complete with the sideways mouth and ring of hair around the head.

There are also online art contests, where you can try your own hand at the restoration. Some are serious, but most are tongue and cheek. There is a Chewbacca fresco, a Kermit the Frog version, you name it.

And in a nearby village, they are now making a Monkey Boy wine.

But amidst the rush to cash in on the image, a battle may be looming over who controls it. The church has claims, since the fresco is on its wall, but the elderly artist Jimenez has lawyered up. If it wasn’t for her well-meaning mistake, her argument goes, Borja would never have gotten on the map.


Discussion

21 comments for “‘Monkey Boy’ Jesus Fresco Draws Global Attention and Tourists”

  • http://twitter.com/e_sarin Elena Sosa Lerín

    Just a quick copy-edit observation. In the first paragraph, “The work, called Ecco Homo, or Behold the Man in English..” it should read “The work, called, Ecce Homo…”

    • http://www.theworld.org The World

      Thanks for the heads up. Correction made.
      -Steven, The World

  • http://www.facebook.com/people/Zzoott-Zzootticus/100002521814714 Zzoott Zzootticus

    Why does no one seem to be concerned with Cecila Jiminez’ horrific re-rendering of what had been an aging but otherwise stunning 400-year-old fresco? If anything, she ought to be “lawyered up” to face Italian prosecution for destruction of private property.

    • http://twitter.com/dedsetmad Mark Skinner

      It’s bloody aweful, isn’t it. Ugliest painting I’ve ever seen.

  • http://www.facebook.com/people/Zzoott-Zzootticus/100002521814714 Zzoott Zzootticus

    Whoops – meant to say “200-year old” fresco.

  • http://www.facebook.com/eirec.bleire Eirec Bleire

    Horrific before and after. Worse than a 3rd botched Hollywood plastic surgery considering the mural’s well rendered human expressiveness now lost . This “restorer” has nerve to lawyer up to share revenue from the kind of tourists who stop to watch a traffic accident. She desires copyright-like priveledge for her mutilation of art instead of just being thankful of what may be a temporary and likely temporal silver lining of her utter incompetence? Hopefully it’s misreported but oppurtunist capitalism without reasonable meaningful shame triumphing over lost art and old school decency? “Gosh.” You’d hope an 80 yr old might want to convey to convey to a generation in need of mentored values unless she’s got medical bills or lacks enough food or a decent roof in Spain where I understand they have preventive social healthcare and a
    maller percentage of homelessness than “even” the U.S.
    But Spain bought into the American Finance culture busting Spain into the red. The GOP should site this woman as a woman who’s defeating ruinous socialism with self made” ambition and initiative
    and less homelessness than “even” the U.S. Failing upward is a proud tradition for U.S. oligarchy – she could teach a GOP sponsored course on being “self made

    • http://twitter.com/dedsetmad Mark Skinner

      For christ sake, don’t make it political.

  • ghadden

    Actually, technically – and I couldn’t figure out how to get this into the story without derailing it – it isn’t a fresco. At least according to Aznar, the custodian I interviewed. He said the image was painted directly on the “cal,” or limestone plaster, when the plaster was long dry. Frescoes use a technique in which you apply the paint when the plaster has not yet set. This allows the pigment to seep in and impregnate the plaster, becoming an integral part of the wall itself. Not enough to time to get into that, and at any rate this difference, to my mind, didn’t affect the spirit of the story. Nor the value of the original work itself, which was said not to be high in terms of money, but nevertheless valuable to parishioners spiritually.

  • ghadden

    I would also say a couple of things in Jimenez’s defense. First, she really was trying to help out. In fact, Aznar told me that over the last several years Jimenez had touched up the same fresco on numerous occasions. The difference being that the damage she was used to ‘fixing’ was much smaller – a fleck of chipped paint or two, here and there – and so everyone was happy. This time around, some five years had passed and the loss of paint was extensive. Also, people were in fact aware that she was attempting the restoration, as she has said. And no one told her to stop. Perhaps no one bothered to look over her shoulder as she worked.

    Second, apparently – and I did not interview Jimenez or her lawyers – Jimenez’s intention is to donate any of the money she might get from fresco “profits” to a charity, just as the church says it’s doing. So it doesn’t appear to be a cash-grab on her part.

    I didn’t try to interview Jimenez at all, out of respect for her privacy. She’s 80, and has been bombarded daily with requests from media literally from around the world, al of them wanting to know the same thing: how she could have possibly screwed up so badly. I put myself in her shoes and made the call not to make that call.

  • http://www.facebook.com/marilyn.gleason.7 Marilyn Gleason

    Where is Borja? Am I just supposed to know? The story never once makes it clear. Italy? Spain?

  • ghadden

    Hi Marilyn. Marco mentions Spain in the lead, and I soc out from “Borja, Spain.” I also mention nearby Zaragoza, a Spanish city. Best

  • http://www.facebook.com/Rick.Plumley Rick Plumley

    I agree with Zzoott Zzootticus, coment, “Cecila Jiminez’ horrific re-rendering”, Good intentions or not, I don’t believe she should claim rights to the mistakes she made on someone else’s property. I don’t think it should make a difference if she gives the money to charity. She defaced a priceless work of art and now wants to profit from her mistakes… Where is the spirituality in that?

  • http://www.facebook.com/giuseppe.mattei.988 Giuseppe Mattei

    I don’t see much of a difference from the first time around as reported in the Gospels: people crowded the streets of Jerusalem to see the disfigured Jesus carrying a cross, curious, disgusted, unimpressed, self-righteous, arrogant, while the disciples followed from afar. Jesus didn’t look good then and he doesn’t look good now: despised, man of sorrow, revolting and yet loving humanity to the bitter end. No accusation or judgment uttered from his lips. This clown (or monkey boy), ridiculous and mocked, is the wisdom of a God who has chosen solidarity with the afflicted, the poor, the marginalized and abused. Let people go and see a monkey boy: maybe their initial laughter will turn into silent meditation and spiritual consideration of how the life and death of a Judean peasant has changed the way some of us see the world and want to live their lives.

  • Tomas

    Durante el verano, el transformacion del cuadro de Jesus estaba en las noticias todo el mundo. Estaba un asunto muy importante para la iglesia y la pintor, Cecilia Jimenez. Ese muestra que, despues de todos las anos y ideas nuevas, todavia hay mucho fe en Jesus y en el religion. El hecho que todos estas personas estan viajando para mucha distancia solomente a ver un cuadro de Jesus que estuvo cambiado muestra eso tambien. Ese articulo enfoca en el parte economico de ese asunto, que es muy importante para la iglesia de Mercy, para Jimenez, y para el pueblo de Borja en Espana. El cuadro esta ganando tanto dinero para la iglesia, y todo la turista es muy bueno para el pueblo. Muestra que en todos las anos de la iglesia grande, siempre ay dineero que esta involucrado.

  • Natalia

    Jesus es el persona importante mas para cristianos. Es triste cuando una persona decide cambiar una pintura de Jesus para pintar un mono. Mucha gente va a ver Ecce Mono en la iglesia a causa de is ridiculo. Le gusta que es un mono y no es Jesus. Aznar no debe tomar dinero de turistas. La iglesia es un lugar santo. Las turistas no deben perder el dinero para entrar una iglesia. Pero las turistas deben venir para ver la iglesia y no ver la pintura ridiculo.

  • Natalia

    Jesus es el persona importante mas para cristianos. Es triste cuando una persona decide cambiar una pintura de Jesus para pintar un mono. Mucha gente va a ver Ecce Mono en la iglesia a causa de is ridiculo. Le gusta que es un mono y no es Jesus. Aznar no debe tomar dinero de turistas. La iglesia es un lugar santo. Las turistas no deben perder el dinero para entrar una iglesia. Pero las turistas deben venir para ver la iglesia y no ver la pintura ridiculo.

  • Rosa

    No estoy de acuerdo de Natalia, porque no pienso que Jimenez prepone a hacer la pintura parece como un mono. Pero, no estoy de acuerdo del hecho que las personas cargan dinero de los turistas que quieren ver la pintura. Yo siento un poco mal por Jimenez, porque ella está viejo y yo no pienso que ella prepone a hacerlo. No es justo por las personas de la iglesia a cargan dinero a ver la pintura.

  • Stephanie Johnson

    Yo pienso es muy comico! Es comico que un error pueda hacer mucho dinero. Yo siento que el dibujo sea un gran error, y no parece como Jesus en absoluto. La gente estan veniendo a ver el dibujo para lo sonreirse. Yo pienso el retrato pertenecen la artista, porque no pertenecen en el museo. Pero, si el retrato esta atrando la gente, tal vez es un buen idea.

  • rosario

    Estoy de aquerdo con Natalia. Tambien pienso que es un idea horrible que una persona cambio una pintura de Jesus para midar como un mono. Tambien touristas vienen a lka eqkesia solo para vera la pintura.La hente no vienen para ir a la eqlesia para orrar. Solo vienen para ver la pintura.

  • JorgeD

    Porque la mujer pinto la pintura? Su trabaja es un disastre. Dinero o no dinero, este es un delito. La mujer necesita obtener un abogado para no va a carcel. Eventualment, la gente parara veniendo porque no sera interesante nunca mas.

  • http://twitter.com/Tanjamaltija Tanjamaltija

    Why the fuss? It happens all the time: http://www.timesofmalta.com/articles/view/20120925/blogs/insults-injuries-ignorance.438313