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Canadian writer Lisa Moore’s second novel, a harrowing tale of loss, solidifies her reputation as a gifted writer whose prose exhibits an urgency, precision, and sensitivity worthy of the legacy of Virginia Woolf.

Set against the background of the Spanish Civil War, Roberto Bolaño’s 1999 suspense novel is one of those rare page turners you won’t want to put down, even after you figure out that essential pieces to the puzzle are missing.
One of literature’s greatest living authors, J. M. Coetzee, writes his own posthumous fictionalized biography, in which he airs his deepest fears that no number of awards or marriages or friends can ever fully dispel the universal human certitude that one is a talentless fraud and an unlovable misanthrope.
This novel about a young woman who wakes up to find that her big toe has become a penis was a major bestseller in Japan, and it’s easy to see why. The book is titillating, disturbing without being disgusting, and reads like a self-help guide on the subjects of sex and love.
Perhaps this latest, and possibly last book, from the amazing Czech writer Joseph Skvorecky will make the Nobel prize committee take notice of an author who proffers the wisdom that comes with living long enough to sort out so many of the mysteries which plague us when we are young.
Now that the predictable “who is she?” brouhaha over this year’s winner of the Nobel Prize for literature has ended, it is time to explore the artistry of Herta Müller, whose books consistently denounce the corruption of language and memory, often by reworking her own past experiences in innovative, lyrical, and evocative prose.
Written in the fifteenth century, “Celestina” remains a classic work of Spanish literature that, in a lively new English version by the acclaimed translator Margaret Sayers Peden, proffers all the sex, drama, and violence necessary for an HBO mini-series.

Paula Jacques’s “Light of My Eye” is a heart-wrenching novel about the dissolution of Egyptian Jewish life, the tale of a people displaced ten years after World War II.
Colombian author Evelio Rosero has been writing about the miseries of his homeland for three decades now. His novels, many of which take on the internecine wars, kidnappings, murders, and political upheavals of his country, have won numerous awards (including, humorously enough, the National Literature Prize from the Colombian Ministry of Culture). His work is notorious for being brutally realistic, even hyperrealistic, and “The Armies,” which won 2009 Independent Foreign Fiction Prize, is no exception.
Mexican writer Mario Bellatín’s growing international literary reputation as a leading Spanish-language experimentalist suggests that he’s a pop innovator focused on the grotesque, playfully obsessed with the consciousness of the outcast.
Though separated by a century and a half, these two Swiss novellas detailing the outbreak of uncanny terror in rural communities paint surprisingly similar, and memorable, visions of social repression and religious hypocrisy.
“Every day I buckle on my guns and go out to patrol the dingy city. I’ve been doing it so long that I’m shaped to it, like a hand that’s been carrying buckets in the cold.” So begins author Marcel Theroux’s “Far North,” a novel of post-apocalypse set in Siberia. It’s an interesting geographic choice for this kind of story, as Siberia is one of the few places in the world that already looks as desolate and ravaged as a post-apocalyptic landscape. Theroux, who has both spent time on the Great Steppe, and also filmed a documentary on settlers who have chosen to move back to Chernobyl, does a remarkable job evoking the breath-freezing cold of that world, giving even the novel’s most implausible ideas the ring of truth.
Jose Manuel Prieto’s “Rex” is an adventure through time: not historical time, or physical time, so much as literary time, the dreamy, static continuum of impressions and formulations recorded across centuries and civilizations.
Do you have a ‘must read’ tip? Do you prefer novels over non-fiction?